Byčkov: Šostakovičova 11. symfonie je silně spjata s osudy lidí, kteří neměli vůbec nic
V čem spočívá Šostakovičova 11. symfonie? Podtitul “Rok 1905” odkazuje na zmasakrování dělnické demonstrace v Petrohradu, které vyvolala spontánní protesty v dalších ruských městech. Všechny byly potlačeny. Šostakovič skladbu napsal v roce 1957, jen rok po maďarském povstání, rovněž utopeném v krvi. Autora ale inspirovaly také jeho dojmy z dětství i zážitky zralého věku. Z okolností vzniku díla, i v kontextu současných událostí, běhá mráz po zádech. Někdy však hudba řekne nejvíce: https://bit.ly/127_A1.
Sledujte nás:
ENGLISH
What is Shostakovich’s 11th Symphony about? The subtitle “The Year 1905” refers to the massacre of a workers’ demonstration in Saint Petersburg, which sparked spontaneous protests in other Russian cities. They were all suppressed. Shostakovich composed the piece in 1957, just a year after the Hungarian uprising, also drowned in blood. The circumstances of the work’s creation, even in the context of current events, send shivers down the spine. But sometimes the music says more: https://bit.ly/A1_127.
Semjon Byčkov zůstane šéfdirigentem České filharmonie až do roku 2028
Semjon Byčkov, který v roce 2018 stanul v čele prvního českého orchestru po předčasně zesnulém Jiřím Bělohlávkovi, prodloužil svou původně pětiletou smlouvu o dalších pět let.
„Česká filharmonie se od chvíle, kdy jsem s ní začal pracovat, stala středobodem mého života. Proto jsem šťastný, že jím zůstane i v příštích letech. Na počátku mého působení jsme měli mnoho snů, z nichž už se část podařilo splnit. Místo nich ovšem máme sny další, které se pokusíme realizovat v nastávajícím období,“ řekl po podpisu smlouvy.
ENGLISH
Semyon Byčkov, who became the Chief conductor of the first Czech orchestra in 2018, has extended his original five-year contract for another five years.
“Czech Philharmonic has become the centre of my life since I started working with it. That is why I am happy that it will remain so in the years to come. At the beginning of my tenure, we had many dreams, some of which have already come true. But we have other dreams instead, which we will try to realize in the coming period,” said after signing the contract.
Thank you for our collaboration full of growth and joy. We look forward to what lies ahead on our musical journey together!
Dmitri Sjostakovitsj – Symfonie nr. 11 in G klein op. 103 | Semyon Bychkov | WDR-symfonieorkest
Dmitri Sjostakovitsj’ Symfonie nr. 11 in G-klein op. 103 werd in november 2001 uitgevoerd door het WDR-symfonieorkest onder leiding van zijn toenmalige chef-dirigent Semyon Bychkov in de Filharmonie van Keulen.
0:00:00 I. Adagio – Het Paleisplein
00:14:38 II. Allegro – 9 januari
00:33:10 III. Adagio – Eeuwig geheugen
00:45:20 IV. Allegro non troppo – Stormklokken
WDR-symfonieorkest
Semyon Bychkov, dirigent
Hans Hadulla, richting
►Meer over het symfonieorkest, concerten en actuele livestreams vindt u op https://www.wdr-sinfonieorchester.de.
Shostakovich – Symphony No. 11 (Haitink) [Score]
Shostakovich: Symphony No. 11 in G Minor, Op. 103 “The Year 1905” · Concertgebouw Orchestra of Amsterdam · Bernard Haitink
00:00 – I. Adagio (The Palace Square)
15:54 – II. Allegro (The 9th of January)
35:32 – III. Adagio (Eternal Memory)
47:11 – IV. Allegro non troppo (The Tocsin)
Shostakovich “Symphony No 11” Mariss Jansons
Symphony No 11 in G minor op 103 “The Year 1905”
by Dimitri Shostakovich
1. Palace Square-Adagio
2. January 19th:
Allegro-Adagio-Allegro-Adagio
3. Eternal Memory-Adagio
4. The Toscin:
Allegro non troppo-Allegro-modrato
Adagio-Allegro
Philadelphia Orchestra
Mariss Jansons, Conductor
Houslista utíká na hodinu matematiky • Tučňáci opět v Rudolfinu (1/4)
Dvanáctiletý houslista Prokop Hodina v roli koncertního mistra České filharmonie. Tučňáci s Pavlem Liškou a dirigentem Vojtěchem Jouzou se do Rudolfina vrací opět v únoru 2015. Více informací o programu: http://www.ceskafilharmonie.cz/tucnac…
ENGLISH
Twelve-year-old violinist Prokop Hodina in the role of concertmaster of the Czech Philharmonic. Penguins with Pavel Liška and conductor Vojtěch Jouza return to Rudolfinum again in February 2015. More information about the program: http://www.ceskafilharmonie.cz/tucnac…
Bijzonder!!! Over bijnamen o.a en onverwachte gebeurtenissen…. Hoewel? Onverwacht? 🙂
Sólista se mstí orchestru • Tučňáci opět v Rudolfinu (2/4)
Může se sólista pomstít orchestru? Mladá klavíristka Kristýna Ayvazyanová dokazuje, že to jde. Tučňáci s Pavlem Liškou a dirigentem Vojtěchem Jouzou se do Rudolfina vrací opět v únoru 2015. Více informací o programu: http://www.ceskafilharmonie.cz/tucnac…
ENGLISH
Can a soloist take revenge on the orchestra? The young pianist Kristýna Ayvazyanová proves that it works. Penguins with Pavel Liška and conductor Vojtěch Jouza return to Rudolfinum again in February 2015. More information about the program: http://www.ceskafilharmonie.cz/tucnac…
Nezletilý dirigent České filharmonie • Tučňáci opět v Rudolfinu (3/4)
Na vzdělávacím koncertu České filharmonie ‘Tučňáci v Rudolfinu’ se herec Pavel Liška přesvědčil, že člověk nemusí být ani plnoletý, aby mohl dirigovat symfonický orchestr. Dirigenta Vojtěcha Jouzu u pultu vystřídal talentovaný klavírista, skladatel, dirigent, improvizátor a chovatel slepic Matyáš Novák.
Tučňáci se do Rudolfina vrací opět v únoru 2015. Více informací o programu: http://www.ceskafilharmonie.cz/tucnac…
ENGLISH
At the Czech Philharmonic’s educational concert ‘Penguins in the Rudolfinum’, actor Pavel Liška was convinced that one does not even have to be of legal age to conduct a symphony orchestra. Conductor Vojtěch Jouz at the counter was replaced by a talented pianist, composer, conductor, improviser and hen breeder Matyáš Novák.
Penguins return to Rudolfinum again in February 2015. More information about the program:
http://www.ceskafilharmonie.cz/tucnac…
Pavel Liška zpívá Prodanou nevěstu • Tučňáci opět v Rudolfinu (4/4)
Závěr programu patřil sborovému zpěvu skladby Proč bychom se netěšili z opery Prodaná nevěsta Bedřicha Smetany. Tučňáci s Pavlem Liškou a dirigentem Vojtěchem Jouzou se do Rudolfina vrací opět v únoru 2015. Více informací o programu: http://www.ceskafilharmonie.cz/tucnac…
ENGLISH
The end of the program belonged to the choir singing of the composition Why shouldn’t we enjoy Bedřich Smetana’s opera The Bartered Bride. Penguins with Pavel Liška and conductor Vojtěch Jouza return to Rudolfinum again in February 2015. More information about the program: http://www.ceskafilharmonie.cz/tucnac…
Concerto – Final movement (Kenneth MacMillan; The Royal Ballet)
Youthful energy and technical precision are combined in Kenneth MacMillan’s virtuoso ballet, set to Shostakovich’s Second Piano Concerto. Find out more and watch an encore screening near you https://www.roh.org.uk/showings/conce…
Anna Rose O’Sullivan, James Hay, Yasmine Naghdi, Ryoichi Hirano, Mayara Magri and Artists of The Royal Ballet perform the final movement of Concerto conducted by Pavel Sorokin. Concerto, a fusion of classical technique with a contemporary mind, marked the start of a new phase in Kenneth MacMillan’s career. He had recently become director of Berlin’s Deutsche Oper Ballet, and was keen to redefine the company and showcase its full range. He selected a score of youthful vivacity – Dmitry Shostakovich’s Piano Concerto no.2 in F, which was created to mark the 19th birthday of the composer’s son. Concerto was greeted with a standing ovation on its premiere in 1966 and MacMillan received immediate performance requests from ballet companies worldwide.
MacMillan’s choreography complements the precision and invention of Shostakovich’s score perfectly. In the energetic first movement, the corps de ballet marches en pointe in unison, in response to a military flourish in the music. A slow, sensuous Andante follows, featuring a pas de deux that was inspired by seeing Lynn Seymour, MacMillan’s friend and muse, warming up at the barre. The final movement brings the work to a spirited close, with a large corps de ballet dancing with quick, joyous steps. Jürgen Rose’s bright designs confirm the ballet’s warmth and energy.
Enjoy this video? Subscribe to our channel to receive notifications about new ballet and opera clips.To book tickets or find out more about the Royal Opera House, head to https://www.roh.org.uk/
Concerto – Second movement pas de deux (Marianela Nuñez , Rupert Pennefather, The Royal Ballet)
Youthful energy and technical precision are combined in Kenneth MacMillan’s virtuoso ballet, set to Shostakovich’s Second Piano Concerto. Marianela Nuñez and Rupert Pennefather dance the second movement pas de deux. To book tickets and find out more head to https://www.roh.org.uk/productions/co….
Concerto marked the start of a new phase in Kenneth MacMillan’s career. He had recently become director of Berlin’s Deutsche Oper Ballet, and was keen to redefine the company and showcase its full range. He selected a score of youthful vivacity – Dmitry Shostakovich’s Piano Concerto no.2 in F, which was created to mark the 19th birthday of the composer’s son. Concerto was greeted with a standing ovation on its premiere in 1966 and MacMillan received immediate performance requests from ballet companies worldwide.
MacMillan’s choreography complements the precision and invention of Shostakovich’s score perfectly. In the energetic first movement, the corps de ballet marches en pointe in unison, in response to a military flourish in the music. A slow, sensuous Andante follows, featuring a pas de deux that was inspired by seeing Lynn Seymour, MacMillan’s friend and muse, warming up at the barre. The final movement brings the work to a spirited close, with a large corps de ballet dancing with quick, joyous steps. Jürgen Rose’s bright designs confirm the ballet’s warmth and energy.