Drüben hinterm Dorfe
Steht ein Leiermann
Und mit starren Fingern
Dreht er was er kann.
Barfuß auf dem Eise
Wankt er hin und her
Und sein kleiner Teller
Bleibt ihm immer leer.
Keiner mag ihn hören,
Keiner sieht ihn an,
Und die Hunde knurren
Um den alten Mann.
Und er läßt es gehen,
Alles wie es will,
Dreht, und seine Leier
Steht ihm nimmer still.
Wunderlicher Alter !
Soll ich mit dir geh’n ?
Willst zu meinen Liedern
Deine Leier dreh’n ?
promet un demain spectaculaire
https://nl.wikisource.org/wiki/Winterreise_(Schubert)
Everybody loves water in the desert. I was pleasantly surprised during the edit to see that George made an appearance. I know him from all the other rabbits because of the tiny notch in his ear. A burro just happened to come by in time to be included. Ben went against the script and decided to just nudge the bucket. You can lead a steer to water but you can’t make him drink. Note: The swimming bees were rescued. News Theme by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/…) Artist: http://incompetech.com/ Lau Tzu Ehru by Doug Maxwell used by permission from YouTube Audio Library.
A Fascinating Underwater View of Thirsty Desert Animals Drinking From a Bucket With a Camera
John Wells of the Southwest Texas Alternative Energy and Sustainable Living Field Laboratory captured a really fascinating underwater view of various desert animals drinking from above using a camera at the bottom of a water bucket. The water attracted bees, birds, chickens, a very thirsty burro, a rabbit named George and a bison named Ben.
Everybody loves water in the desert. I was pleasantly surprised during the edit to see that George made an appearance. I know him from all the other rabbits because of the tiny notch in his ear. A burro just happened to come by in time to be included. Ben went against the script and decided to just nudge the bucket. You can lead a steer to water but you can’t make him drink. Note: The swimming bees were rescued.
…in mijn ogen is er iets als een vogel en een boom, die uiteindelijk meetrillen… …antwoorden… …Siegfredruf – Sehr schöne szenisches Aufführung ganz im Sinne von Wagnerschem Bühnenbild!…
Provided to YouTube by Warner Classics A Sea Symphony, I. A Song for All Seas, All Ships (Moderato maestoso) : Today a rude brief recitative (baritone & chorus) · Dame Felicity Lott/Jonathan Summers/London Philharmonic Choir/Richard Cooke/Cantilena/Lena Phillips/London Philharmonic Orchestra/Bernard Haitink Vaughan Williams: The Complete Symphonies, The Lark Ascending, Tallis Fantasia, etc. ℗ 1989 Warner Classics, Warner Music UK Ltd Conductor, Vocals: Bernard Haitink Performance, Vocals: Cantilena Soprano Vocals: Dame Felicity Lott Boy Soprano: Felicity Lott Soprano Vocals: Felicity Lott Producer: John Fraser Bass- Baritone, Vocals: Jonathan Summers Bass-baritone Vocals: Jonathan Summers Director, Vocals: Lena Phillips Choir, Vocals: London Philharmonic Choir Orchestra, Vocals: London Philharmonic Orchestra Chorus, Vocals: Richard Cooke Composer: Ralph Vaughan Williams Lyricist: Walt Whitman Auto-generated by YouTube.
Concerto inaugurale “Festival Paganini” Salvatore Accardo : Violin Giampaolo Bandini : Guitarra 16 Marzo 2011 Teatro Regio (Parma)
Colin Davis has suddenly been forgotten, hasn’t he? Simon Rattle’s been such a ubiquitous presence in musical life that we forget that until very recently Colin Davis was known as the great living British conductor and a constant presence in our lives until just eight years ago. He was never to everybody’s taste. He was a bit like Giulini, the fire obviously went out as he aged, but it was replaced by something very spiritual and luminous. He was regarded in his early career as a bit of a jerk, but he was clearly a very unhappy man in his first marriage, but as he got older and married Shamsi (his children’s au pair), he seemed to become universally beloved (as a person, not a musician), and always spoke, when he spoke, with great wisdom. I once heard him talk about Sibelius 5 on the radio and it was one of the most inspiring things I’d ever heard a conductor say. Many people I’ve spoken to ‘in the business’ talk about the elderly Davis with reverence, claiming he is one of the most inspiring people they’ve ever met.He had his enthusiasms: Mozart, Berlioz, Sibelius, Stravinsky…. but all that opera in the 70s and 80s is basically a washout, you can tell he just didn’t care for a lot of it. But then you hear his Mozart and Haydn, and all throughout his career it had pure joy: Messiah, Haydn 99 and 102, The Seasons, Mozart 36 & 39 and 41, the Haffner Serenade, Zauberflöte, Figaro, Cosi, Sibelius 3 and 5 (nobody ever did 3 better), and certain later pieces: the Missa Solemnis, Eroica, Schubert 9, Falstaff, Benvenuto Cellini, Damnation de Faust, Symphonie Fantastique, and of course, Les Troyens. There are certain late recordings that have the old fire: Nielsen 4, Elgar 2, Otello, Dvorak 6, but the real Davis is generally to be found making his home in the balance of the classical period, to which he brought a very 19th century conception in the very best sense, and in his own way was just as compelling in it as Harnoncourt or Mackerras. He was also magnificent in the great choral works which brought people together for spiritual uplift rather than the romantic overstimulation of opera. So it’s perhaps not a surprise that, to me at least, the single greatest recording of his career is his final go at Mozart’s Requiem.I tend to think of Davis as I do many conductors of his generation, only moreso, emissaries from a more stable era, who arrived at musical truth by a mysterious self-effacement and serenity that perhaps is not possible today in our more unstable, narcissistic world. The old Davis at his best is pure spirituality, like a gentler Klemperer or the conductor Celibidache would have been were he a more generous soul. Go back to his recordings, this is the music making of a great spirit and humanist. Conductors are not generally known for their humanity, which makes the ones who truly radiate it all the more valuable.
BWV 245, “Johannes-Passion” פסיון רי”ב 245 “הפסיון על פי יוחנן” נכתב עבור יום שישי הטוב. בוצע לראשונה בליפציג, ב- 07 באפריל, 1724. Directed by John Butt Tim Mead Dunedin Consort A sacred oratorio for Good Friday Es ist vollbracht! O Trost vor die gekränkten Seelen! Die Trauernacht Läßt nun die letzte Stunde zählen. Der Held aus Juda siegt mit Macht Und schließt den Kampf. Es ist vollbracht!
…het verschil tussen Oistrakh David <> Oistrakh Igor…. ongeveer het zelfde maar volkomen verschillend…. wat is het om vastgeklonken te zitten aan + of -, maar vastgeklonken….
