Met adembenemende songs als “I Have Nothing” en “I Will Always Love You”, veranderde Whitney Houston de loop van de muziek voor altijd met haar ongeëvenaarde stem en vermaarde lyrische talent. Whitney Houston, geboren in New Jersey in 1963, werd bekend in het begin van de jaren 80 na een korte periode als model, gevolgd door haar eerste twee solo albums. “Whitney Houston” en “Whitney”, haar eerste albums, werden onmiddellijke hits en maakten van haar een van de meest succesvolle muzikanten aller tijden.

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Whitney Houston – einer der größten Stars aller Zeiten. Doch was hat das Leben der Sängerin auf so tragische Weise zerstört? Exklusive Aufnahmen bringen Licht ins Dunkel.
Videolänge: 113 min  Datum: 12.06.2021 Verfügbarkeit: Video verfügbar bis 25.03.2022, in Deutschland
https://www.zdf.de/dokumentation/zdfinfo-doku/the-true-story–of-whitney-houston-100.html

Whitney Elizabeth Houston, known as The Voice is one of the most successful pop stars of all time with over 170 million records sold world wide. Signed by the legendary Clive Davis she scroched the charts with such hits as You Give Good Love, I wanna Dance With Somebody, Greatest Love of All and I Will Always love You from the hit 1992 movie The Bodyguard. But her personal life was less successful. She married Bobby Brown in 1992 and theirs has been a turbulent relationship. They starred in a tv show Being Bobby Brown that did more to harm Whitneys career than help it. In 2007 the couple filed for divorce and Whitney was awarded custody of their daughter Bobbi Kristina. This programme tells the true story of Whitney Houston, a woman who found unimaginable success on the stage but failed to find happiness away from the spotlight. This is her amazing story!

 

Whitney Houston – I Will Always Love You LIVE 1999 Best Quality

 

Share my life, take me for what I am
Cause I’ll never change all my colors for you
Take my love, I’ll never ask for too much
Just all that you are and everything that you do

I don’t really need to look very much further
I don’t want to have to go where you don’t follow
I won’t hold it back again, this passion inside
I Can’t run from myself
There’s nowhere I hide

Don’t make me close one more door
I don’t wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don’t walk away from me…
I have nothing, nothing, nothing
If I don’t have you, you, you, you you…

You see through, right to the heart of me
You break down my walls with the strength of your love
I never knew love like I’ve known it with you
Will a memory survive, one I can hold on to

I don’t really need to look very much further
I don’t want to have to go where you don’t follow
I won’t hold it back again, this passion inside
I Can’t run from myself
There’s nowhere I hide
Your love I’ll remember forever

Don’t make me close one more door
I don’t wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don’t walk away from me…
I have nothing, nothing, nothing

Don’t make me close one more door
I don’t wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don’t walk away from me no…
Don’t walk away from me
Don’t you dare walk away from me

I have nothing
If I don’t have you to speak with

Whitney houston – i have nothing. live! [billboard 1993]

 

Whitney Houston – Star Spangled-Banner

Among the annals of national anthems as a prelude to sporting events, few have topped the one delivered by Whitney Houston before Super Bowl XXV in 1991 in Tampa, Florida. A woman, her incredible voice, and the bare minimum of extraneous notes. Her rendition came at a particularly patriotic time, just after the onset of the Persian Gulf War, and was released as a single. It was re-released after the September 11th terrorist attacks. Houston donated all proceeds to charity. She ranks among the best of all-time because of the circumstances and … that voice..

Whitney Elizabeth Houston (Newark, 9 augustus 1963 – Beverly Hills, 11 februari 2012) was een Amerikaans zangeres, model en actrice. Houston is volgens Guiness World Records de zangeres met de meeste prijzen aller tijden en is een van de bestverkopende artiesten ooit met 200 miljoen verkochte platen wereldwijd.

Biografie

1963–1984

Houston was een dochter van Cissy Houston (achtergrondzangeres van onder anderen Elvis Presley en Aretha Franklin) en John Houston en een nicht van de zangeres Dionne Warwick. Houston kwam al vroeg in aanraking met muziek. Samen met haar moeder toerde ze als tiener langs diverse nachtclubs en ontwikkelde daarmee haar zangstem. Als veertienjarig meisje was ze in 1977 de leadvocaliste in het nummer Life’s a Party van de Michael Zager Band. Frontman Zager regelde een platencontract voor de zangeres, maar haar moeder vond dat Houston eerst haar school moest afronden, voordat ze zich in mogelijk succes zou storten. In 1978 was Houston een van de achtergrondzangeressen op Chaka Khans I’m Every Woman, dat Houston in de jaren negentig in een eigen versie zou opnemen voor de soundtrack van de film The Bodyguard. Ook op de platen van Jermaine Jackson en Lou Rawls was Houston te horen. Begin jaren tachtig kwam haar carrière als fotomodel van de grond. Ze poseerde voor Seventeen en was een van de eerste vrouwen met een donkere huidskleur op de omslag. In 1983 zag Gerry Griffith (werkzaam bij platenlabel Arista Records) Houston optreden met haar moeder in een New Yorkse nachtclub. Hij was onder de indruk van haar talent en bracht Houston in contact met Clive Davis, het hoofd van het label. Na een showcase was ook Davis in de ban van haar talent, waarna al snel een platencontract volgde. Tijdens The Merv Griffin Show maakte Houston haar Amerikaanse televisiedebuut.

1985–1986: eerste succes

Hoewel Houston in 1983 bij Arista een contract tekende voor meerdere albums, werd er niet meteen een begin gemaakt met haar eerste lp. Clive Davis wilde het juiste materiaal voor de zangeres hebben en dat kostte tijd. Houston nam als eerste het nummer Hold Me op, een duet met Teddy Pendergrass dat in 1985 op haar album terechtkwam. Het nummer verscheen ook als single en werd een top 5-r&b-hit in de Verenigde Staten; voor Houston haar eerste succes in de hitlijsten. In februari 1985 verscheen Houstons titelloze debuutalbum, geproduceerd door Michael Masser, Kashif, Jermaine Jackson en Narada Michael Walden. De leadsingle Thinking About You flopte en het album dreigde daardoor dezelfde kant op te gaan. De daaropvolgende single You Give Good Love bereikte de derde plaats in de Billboard Hot 100 en bezorgde Houston haar doorbraak. Hierna steeg het album steeds hoger in de Amerikaanse albumlijst. Het jazzy Saving All My Love for You was het volgende succes. Houston behaalde er haar eerste Amerikaanse nummer 1-hit mee. Ook in Engeland behaalde dit nummer de eerste positie in de hitlijsten. De single How Will I Know (tevens nummer 1 in de Verenigde Staten) werd met zijn videoclip op MTV gedraaid, een zeldzame prestatie, aangezien er in die tijd nog vrij weinig clips van Afro-Amerikanen op de muziekzender getoond werden. Voor Houston was het haar debuut bij een groot publiek. In 1986, bijna een jaar na de verschijning van haar debuutalbum, stond dit 14 weken op de eerste plaats in de Amerikaanse albumlijst. Met Greatest Love of All scoorde Houston hierna haar derde nummer 1-hit. Tijdens de Grammy Awards in ’86 ontving Houston haar eerste Grammy: Best Pop Vocal Performance voor Saving All My Love for You. Hierna volgden onder andere een aantal American Music Awards en een MTV Video Music Award. Het album was destijds het bestverkopende debuutalbum van een vrouwelijke artiest.

1987–1991: status van een superster

Houstons tweede album, simpelweg Whitney genaamd, verscheen in juni 1987. De productie was in handen van dezelfde mensen die verantwoordelijk waren voor de sound op haar debuutalbum. In de Verenigde Staten en het Verenigd Koninkrijk debuteerde de cd op nummer 1 in de albumlijsten. Houston was daarmee de allereerste zangeres die dit voor elkaar kreeg. Ook in andere landen bereikte het album de top, zoals Engeland, Finland en Duitsland. De vier uitgebrachte singles I Wanna Dance with Somebody (Who Loves Me), Didn’t We Almost Have It All, So Emotional en Where Do Broken Hearts Go bereikten allemaal de eerste plaats in de Verenigde Staten. In totaal stond Houstons nummer 1-succes daardoor op zeven stuks, een record waarmee ze The Beatles en Elvis Presley versloeg die ieder zes nummer 1-hits achter elkaar behaalden. Ze is tot de dag van vandaag de enige artiest die zeven opeenvolgende nummer 1-hits had. Love Will Save the Day was de laatste single die van dit album werd uitgebracht. Het behaalde niet de eerste plaats maar werd wel een Amerikaanse Top 10-hit. Het duet met haar moeder I Know Him So Well is alleen in sommige Europese landen als single uitgebracht. Whitney behaalde negen keer platina voor de verkoop van 9 miljoen stuks in de Verenigde Staten alleen al. Tot nu toe is het album wereldwijd 25 miljoen keer verkocht. Tijdens de Grammy’s in 1988 ontving de zangeres haar tweede prijs voor Best Pop Vocal Performance voor I Wanna Dance with Somebody (Who Loves Me). Kort na de verschijning van het album ging Houston tevens voor de eerste maal op tournee met de ‘Moment of Truth World Tour’. In april 1988 stond Houston viermaal in een uitverkocht Ahoy Rotterdam.

Voor de Olympische Zomerspelen 1988 zong de zangeres het nummer One Moment in Time in, dat wederom een grote hit werd. Het kwam niet tot de eerste plaats in de Verenigde Staten (top 5) maar wel in onder andere Duitsland en het Verenigd Koninkrijk. Met het succes van twee albums op haar naam werd Houston gezien als de grootste sensatie sinds Michael Jackson. Op haar derde album I’m Your Baby Tonight dat in 1990 verscheen ging de zangeres een wat meer urban-achtige kant op. Het titelnummer en All the Man That I Need werden wereldhits en Houstons achtste en negende Amerikaanse nummer 1-hit. Andere singles als My Name Is Not Susan, Miracle, I Belong to You en We Didn’t Know (duet met Stevie Wonder) werden minder grote hits. Toch evenaarde de verkoop van het album het succes van de voorgaande cd’s niet. Er zijn er wereldwijd zo’n 10 miljoen van verkocht. In 1991 kreeg Houston de kans om tijdens de Super Bowl XXV het Amerikaanse volkslied (The Star-Spangled Banner) te zingen voor een miljoenenpubliek. Haar opname van het nummer verscheen ook op single en haalde de Amerikaanse top 20, waarmee ze de eerste artieste was die het met het volkslied in popversie tot de hitlijsten schopte. In september 1991 stond Houston zesmaal in een uitverkocht Ahoy.

1992–1994: huwelijk met Bobby Brown en The Bodyguard

Over Houstons liefdesleven werd van begin af aan gespeculeerd in de media. Zo had ze ooit een date met acteur Eddie Murphy. Uiteindelijk viel ze voor de charmes van r&b-ster Bobby Brown in 1989. Na drie jaar traden zij in het huwelijk. Door het succes van haar muziek kreeg Houston diverse filmaanbiedingen, maar ze voelde er in eerste instantie niet veel voor, omdat ze vond dat de tijd daar nog niet rijp voor was In 1984 speelde ze een kleine rol in de televisieserie Gimme a Break!. In 1992 maakte Houston haar filmdebuut naast Kevin Costner in de romantische thriller The Bodyguard. Hierin speelde ze de succesvolle zangeres Rachel Marron, die last kreeg van een stalker en daardoor een innige band opbouwde met haar lijfwacht. Voor de gelijknamige soundtrack nam Houston een aantal nieuwe nummers op: I Will Always Love You (coverversie van het nummer van Dolly Parton uit 1974), I’m Every Woman (coverversie van het nummer van Chaka Khan, die zelf ook te horen is op de achtergrond), Run to You, I Have Nothing en Queen of the Night. Alle scoorden wereldwijd enorm hoog in de hitlijsten en van de soundtrack van The Bodyguard werden 42 miljoen exemplaren verkocht. Het leverde Houston ook weer een aantal Grammy’s op. I Will Always Love You werd een nog groter succes dan het origineel van Dolly Parton en wordt nog altijd gezien als een van Houstons grootste hits met een wereldwijde nummer 1-notering. De single is de bestverkochte single van een vrouwelijke artiest. De soundtrack is de bestverkochte soundtrack.

In maart 1993 werd haar dochter Bobbi Kristina geboren.

1995–1997: Waiting to Exhale, The Preacher’s Wife en Cinderella

In 1995 speelde Houston naast Angela Bassett, Loretta Devine en Lela Rochon in Waiting to Exhale, een dramafilm over vier Afro-Amerikaanse vrouwen en hun omgang met relaties. Het succes van de film was minimaal in vergelijking met kaskraker The Bodyguard. Voor de soundtrack van de film nam ze het nummer Exhale (Shoop Shoop) op. Het nummer werd een wereldhit rond kerst 1995 en was haar elfde Amerikaanse nummer 1-hit in de Billboard Hot 100. Hierna haalde Houston geen nummer 1-noteringen meer. Exhale stond een week op nummer 1. Het brak daarna een record als de langste nummer 2-notering. De single Why Does It Hurt So Bad werd enkel in de Verenigde Staten uitgebracht. Het duet Count on Me met Cece Winans werd een bescheiden hit.

Eind 1996 verscheen The Preacher’s Wife in de bioscopen, wederom niet zo succesvol als The Bodyguard. De soundtrack The Preacher’s Wife: Original Soundtrack Album is echter met meer dan 6 miljoen exemplaren het meestverkochte gospel-album aller tijden. Met haar bewerking van het Annie Lennox-nummer Step by Step uit 1992 behaalde Houston zowel in Amerika als in veel Europese landen een top 20-hit. Ook de single I Believe in You and Me, een cover van het Four Tops-nummer uit 1983, werd een grote hit.

Hierna volgde haar rol als de Goede Fee in de televisiemusical Cinderella (Assepoester), een film waarin ze speelde naast Brandy, Jason Alexander en Whoopi Goldberg.

1998–2000: My Love Is Your Love en Whitney: The Greatest Hits

Nadat het begin van de jaren negentig voornamelijk in het teken stond van films en bijhorende soundtracks, keerde Houston in 1998 terug naar de studio voor haar eerste album sinds acht jaar. My Love Is Your Love verscheen eind dat jaar. In eerste instantie werd een greatest hits-cd gepland maar uiteindelijk was er genoeg materiaal over voor een nieuw album. De singles It’s Not Right but It’s Okay, Heartbreak Hotel, When You Believe (een duet met Mariah Carey voor de animatiefilm The Prince of Egypt), My Love Is Your Love en I Learned from the Best werden wereldwijd grote hits. Van het album werden 10 miljoen exemplaren verkocht en daarmee slaagde Houstons comeback. De clips werden veelvuldig op MTV vertoond, waardoor Houston aansluiting vond bij een jonger publiek. Na een wat moeizame start schoot het album dankzij de titelsong in Nederland naar de eerste plek in de album charts. De Europese tournee in het najaar van 1999 was de succesvolste arenatournee van het jaar: alle avonden waren ruim van tevoren uitverkocht. Ook Ahoy was tweemaal uitverkocht. In 2000 volgde het eerder geplande Whitney: The Greatest Hits met alle grote successen en een aantal nieuwe nummers, waaronder het duet met Enrique Iglesias, Could I Have This Kiss Forever, dat in Nederland op nummer 1 belandde. Ook het duet met George Michael, If I Told You That, werd een grote Europese hit. Van Whitney: The Greatest Hits zijn wereldwijd zo’n 12 miljoen exemplaren verkocht.

2000–2005: Just Whitney, drugsgebruik en persoonlijke problemen

Houstons gedrag veranderde na 2000. Concerten en televisieoptredens werden geannuleerd en voor fotosessies, repetities en interviews kwam ze vaak uren te laat. Ze begon ook nog eens gewicht te verliezen. De media zaten er eveneens flink bovenop. In januari 2000 werden Houston en Brown op een vliegveld in Hawaï betrapt met marihuana in hun bagage. Ze ontkende in eerste instantie verslaafd te zijn. Tijdens de 30th Anniversary Special voor Michael Jackson in september 2001 trad een broodmagere Houston op voor het publiek en de foto’s vulden de dagen erna de kranten. Houstons woordvoerster gaf aan: “Whitney lijdt aan stress door familiezaken, en als ze gestrest is, eet ze niet.” In 2002 gaf Houston een interview aan Diane Sawyer om haar nieuwste album in de kijker te zetten. Echter, tijdens het interview werd er meer ingegaan op haar ervaringen met drugs en alcohol, dan op een nieuwe cd. Haar uitspraken “We don’t do crack. We don’t do that. Crack is wack.” werden wereldwijd uitgemeten in de pers en zorgden voor heel wat persiflages. Eind 2002 verscheen het album Just Whitney, waarvan vier miljoen exemplaren verkocht werden. De singles Whatchulookinat, Try It on My Own en One of Those Days flopten. Eind 2003 volgde het kerstalbum One Wish: The Holiday Album, wederom geen schot in de roos.

2006–2012: scheiding en I Look to You

Na jaren van geruchten en speculaties in de media was de echtscheiding tussen Houston en Brown in september 2006 een feit. Hierna ging de zangeres met Clive Davis, de man die haar groot maakte, de studio in om een nieuw album op te nemen. Na drie jaar muzikaal experimenteren, met onder anderen Alicia Keys, Danja, Stargate, David Foster en Akon, was Houston in 2008 klaar om een comeback te maken met I Look to You. De single Million Dollar Bill werd door velen gezien als haar beste werk sinds tijden. Het succes van het nummer viel in de hitlijsten tegen, en ook de verkoop van het nieuwste album met 2,5 miljoen exemplaren was niet vergelijkbaar met het succes van de albums uit de jaren tachtig en negentig, maar Houstons label bleek wel tevreden met de resultaten gezien de toenmalige muziekmarkt. I Look to You behaalde in veel landen de album-top 10 en was in de Verenigde Staten Houstons eerste nummer 1-album sinds de soundtrack van The Bodyguard in 1992.

Begin september 2009 gaf Houston een interview tijdens The Oprah Winfrey Show, haar eerste interview sinds zeven jaar op de televisie. Er werd dieper ingegaan op Houstons scheiding en drugsverleden. Het interview was in de Verenigde Staten een kijkcijferhit. Om haar comeback te vieren lanceerde Houston in 2009 haar eerste wereldtournee sinds 10 jaar. De Nothing but Love World Tour bracht haar naar diverse uithoeken van de wereld. Ook het Antwerpse Sportpaleis kreeg haar over de vloer. De recensies rondom haar laatste optredens waren slecht, wat resulteerde in veel boegeroep tijdens concerten in onder meer Engeland, en fans die vroegtijdig de zaal verlieten omdat de zangeres haar glorie had verloren en de hoge noten van weleer niet meer kon halen. Op haar website was te lezen dat zij werkte aan een comeback op het witte doek: ze speelde Emma in de film Sparkle.

Overlijden

Houston overleed op 11 februari 2012 op 48-jarige leeftijd. De zangeres werd dood aangetroffen (met haar gezicht voorover in het water) terwijl ze in bad in haar hotelkamer in het Beverly Hilton Hotel in Beverly Hills lag  Volgens de lijkschouwer stierf Houston door verdrinking, mogelijk na een hartaanval te wijten aan een medisch probleem en het gebruik van drugs. Binnen een week na haar dood werden ruim 1 miljoen exemplaren van haar oudere werk verkocht. Veel singles kwamen opnieuw de hitlijsten binnen; in Nederland verschenen er bijvoorbeeld elf in de top 100. Met in totaal ruim 200 miljoen verkochte platen is Houston een van de bestverkopende zangeressen.

Op 18 februari 2012 vond in de New Hope Baptist Church te Newark in New Jersey de begrafenisplechtigheid plaats. In die kerk had Houston als kind in het gospelkoor gezongen. De plechtigheid werd bijgewoond door in totaal zo’n 1500 genodigden, onder wie Alicia Keys, Stevie Wonder, Beyoncé, Jay-Z, Elton John en Kevin Costner. Fans waren niet welkom bij de plechtigheid, ook de straten in de omgeving waren hierom afgesloten. Men kon alles wel live via internet en de Amerikaanse televisie volgen. Haar ex-echtgenoot Bobby Brown verliet de kerk voordat de ceremonie begon, omdat hij en zijn entourage door de organisatoren geen goede zitplaatsen toegewezen kregen. Op 19 februari werd Houston op het kerkhof te Westfield begraven, waar ze naast haar vader ligt.

In augustus 2012 kwam Sparkle uit, de film waarvan de opnames kort voor het overlijden van Houston waren afgerond. Ze had twee nummers voor de soundtrack opgenomen: de single Celebrate met Jordin Sparks, slechts vier dagen voor haar overlijden afgerond en het laatste dat ze heeft opgenomen, en His Eye Is on the Sparrow. Voor Celebrate werd een clip opgenomen waarin de castleden van Sparkle de stukken opvulden die Houston zong.

Privéleven

In de laatste jaren van haar leven kwam Houston vooral in het nieuws door problemen met haar echtgenoot Bobby Brown en geruchten over drugsgebruik. In 2005 was ze afgekickt in het Crossroads Centre op het Caribische eiland Antigua. Op 24 april 2007 scheidde ze van Brown en kreeg ze de voogdij over hun dochter Bobbi Kristina (1993–2015). Haar dochter stierf onder gelijksoortige omstandigheden.

Documentaire

In 2017 verscheen de documentaire Whitney: Can I Be Me over het leven van Houston.

Na het overlijden

In 2019 bracht dj Kygo een ode aan Whitney Houston met het lied Higher Love, dat in veel landen de hitlijsten haalde. https://nl.wikipedia.org/wiki/Whitney_Houston

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American singer and actress. She is one of the best-selling recording artists of all time, with sales of over 200 million records worldwide. Her singing style, which was strongly inspired by gospel music, had an innovative influence on popular music. Houston is known for her powerful, soulful vocals and vocal improvisation skills.  She also enhanced her popularity by entering into the movie industry. Her works, which include recordings and films, have generated both great success and controversy.

Houston began singing in church as a child and became a background vocalist while in high school. She was one of the first black women to appear on the cover of Seventeen after becoming a teen model in 1981. With the guidance of Arista Records chairman Clive Davis, Houston signed to the label at age 19. Her first two studio albums, Whitney Houston (1985) and Whitney (1987), both peaked at number one on the Billboard 200 and are among the best-selling albums of all time. She is the only artist to have had seven consecutive number-one singles on the Billboard Hot 100, from “Saving All My Love for You” in 1985 to “Where Do Broken Hearts Go” in 1988. Houston’s third studio album, I’m Your Baby Tonight (1990), continued to yield two Billboard Hot 100 number-one singles: “I’m Your Baby Tonight” and “All the Man That I Need“.

Houston made her acting debut with the romantic thriller film The Bodyguard (1992). At the time of its release, the film was the tenth highest-grossing film of all time. However, it received negative reviews for its screenplay and performances of the lead actors. She recorded six songs for the film’s soundtrack, including “I Will Always Love You” which won the Grammy Award for Record of the Year and became the best-selling physical single by a female in music history. The soundtrack for The Bodyguard won the Grammy Award for Album of the Year and remains the best-selling soundtrack album of all time. Houston went on to star and record soundtracks for two high-profile films, Waiting to Exhale (1995) and The Preacher’s Wife (1996). Soundtrack of The Preacher’s Wife, which was produced by Houston, became the best-selling gospel album of all time. As a film producer, she produced multicultural movies including Cinderella (1997) and series including The Princess Diaries and The Cheetah Girls.

Houston’s first studio album in eight years, My Love Is Your Love (1998), sold millions and spawned several hit singles, including “Heartbreak Hotel“, “It’s Not Right but It’s Okay” and “My Love Is Your Love“. Following the success, she renewed her contract with Arista for $100 million – one of the biggest recording deals of all time. However, her personal problems began overshadowing her career and the 2002 studio album, Just Whitney, received mixed reviews. Her drug use and a tumultuous marriage to singer Bobby Brown received widespread media coverage. After a six-year break from recording, Houston returned to the top of the Billboard 200 chart with her final studio album, I Look to You (2009). On February 11, 2012, Houston accidentally drowned in a bathtub at the Beverly Hilton in Beverly Hills, with heart disease and cocaine use as contributing factors. News of her death coincided with the 2012 Grammy Awards and was covered internationally.

Houston was certified as the best-selling female R&B artist of the 20th century by the Recording Industry Association of America (RIAA). She also sold more physical singles than any other female solo artist in history.  Houston released seven studio albums and two soundtrack albums, all of which have been certified from gold to diamond. Her accolades include two Emmy Awards, eight Grammy Awards (including Record and Album of the year wins), 14 World Music Awards, 16 Billboard Music Awards and 22 American Music Awards. Houston was inducted into the Rhythm and Blues Music Hall of Fame in 2014 and the Rock and Roll Hall of Fame in 2020. In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. She was named as one of the 100 greatest singers of all time by Rolling Stone. Houston was also ranked by VH1 among the “Top 100 Greatest Artists of All Time” and the “200 Greatest Pop Culture Icons of All Time”. Her entrance into the music industry is considered one of the “25 musical milestones of the last 25 years”, according to the USA Today in 2007. Referring to her vocal talent, Houston has often been dubbed “The Voice” by the media.

Life and career

1963–1984: Early life, family and career beginnings

Whitney Elizabeth Houston was born on August 9, 1963, in what was then a middle-income neighborhood in Newark, New Jersey. She was the daughter of ex-Army serviceman and Newark city administrator John Russell Houston Jr. and gospel singer Emily “Cissy” (Drinkard) Houston.  Her elder brother Michael is a songwriter and her elder half-brother is former basketball player and singer Gary Garland Her parents were both African-American and she is said to have had Dutch and Native American ancestry.  Through her mother, Houston was a first cousin of singers Dionne Warwick and Dee Dee Warwick. Her godmother was Darlene Love and her honorary aunt was Aretha Franklin, whom she met at age eight or nine when her mother took her to a recording studio. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle-class area in East Orange, New Jersey, when she was four. Her parents later divorced.

At age eleven, Houston began performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano.^[19] Her first solo performance in the church was “Guide Me, O Thou Great Jehovah“.

While Houston was still in school, her mother, Cissy, continued to teach her how to sing. Cissy was a member of the group the Sweet Inspirations which also opened for and sang backup for Elvis Presley. Houston spent some of her teens touring nightclubs where Cissy was performing and she would occasionally get onstage and perform with her. Houston was also exposed to the music of Chaka Khan, Gladys Knight and Roberta Flack, most of whom would have an influence on her as a singer and performer.  In 1977, aged 14, she became a backup singer on the Michael Zager Band‘s single “Life’s a Party”.  When she was around 16, Houston sang background vocals for Chaka Khan and Lou Rawls.

Houston attended Mount Saint Dominic Academy, a Catholic girls’ high school in Caldwell, New Jersey; she graduated in 1981. During her teens, Houston met Robyn Crawford, who she described as the “sister she never had”. Crawford went on to become Houston’s best friend, roommate and executive assistant.  After Houston rose to stardom, she and Crawford were rumored to be lovers, which they both denied in 1987.  In 2019, several years after Houston’s death, Crawford stated that their early relationship had included sexual activity, but that Houston ended this for fear of others’ reactions.

In the early 1980s, Houston began working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She became the first woman of color to appear on the cover of Seventeen;  she appeared in Glamour, Cosmopolitan and Young Miss and appeared in a Canada Dry soft drink TV commercial.  Her looks and girl-next-door charm made her one of the most sought-after teen models. In 1982, under the suggestion of longtime friend Valerie Simpson, Houston signed with Tara Productions and hired Daniel Gittleman, Seymour Flics and Gene Harvey as her managers. With them, Houston furthered her recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called One Down, which was credited to the group Material. For that project, she contributed the ballad “Memories“, a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of The Village Voice called her contribution “one of the most gorgeous ballads you’ve ever heard”  She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled Paul Jabara and Friends, released by Columbia Records in 1983.

In 1983, Gerry Griffith, an A&R representative from Arista Records, saw Houston performing with her mother in a New York nightclub. He convinced Arista’s head Clive Davis to make time to see her perform. Davis was impressed and immediately offered a worldwide record deal, which Houston eventually signed after being alternatively sought after by another label  (Houston had been offered deals by recording agencies before—by Michael Zager in 1980 and by Elektra Records in 1981—but her mother declined them on the grounds that Whitney had yet to complete high school. ) Later that year, Houston made her national television debut alongside Davis on The Merv Griffin Show. She performed “Home“, a song from the musical The Wiz.

Houston did not begin work on an album immediately  The label wanted to make sure no other label signed her away and Davis wanted to ensure he had the right material and producers for her debut album. Some producers passed on the project because of prior commitments. Houston first recorded a duet with Teddy Pendergrass, “Hold Me“, which appeared on his gold album, Love Language. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B hit  It would also appear on her debut album in 1985.

1985–1986: Whitney Houston and rise to international prominence

With production from Michael Masser, Kashif, Jermaine Jackson and Narada Michael Walden, Houston’s debut album Whitney Houston was released in February 1985. Rolling Stone magazine praised Houston, calling her “one of the most exciting new voices in years” while The New York Times called the album “an impressive, musically conservative showcase for an exceptional vocal talent”.  Arista Records promoted Houston’s album with three different singles from the album in the United States, the United Kingdom and other European countries. In the UK, the dance-funk “Someone for Me”, which failed to chart, was the first single while “All at Once” was in such European countries as the Netherlands and Belgium, where the song reached the top five on the singles charts, respectively.

In the US, the soulful ballad “You Give Good Love” was chosen as the lead single from Houston’s debut to establish her in the black marketplace. Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US Billboard Hot 100 chart and No. 1 on the Hot R&B chart.  As a result, the album began to sell strongly and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad “Saving All My Love for You” was released next and it would become Houston’s first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. “Thinking About You” was released as the promo single only to R&B-oriented radio stations, which peaked at number ten on the US R&B Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino and other racial minorities while favoring white acts.  Houston claimed during an interview with MTV in 2001 that she and Arista had tried to send the video clip for “You Give Good Love” to the channel, though the channel rejected it because it did not fit their playlist but later were able to get the clip to “Saving All My Love for You” on the channel after the song became a huge crossover hit with Houston saying the channel “had no choice but to play [the video] and I love it when they have no choice.” The third US single, “How Will I Know“, peaked at No. 1 and the video introduced Houston to the MTV audience.

By 1986, a year after its initial release, Whitney Houston topped the Billboard 200 albums chart and stayed there for 14 non-consecutive weeks.The final single, “Greatest Love of All” (a cover of “The Greatest Love of All“, originally recorded by George Benson in 1977), became Houston’s biggest hit yet; the single peaked at No. 1 and remained there for three weeks on the Hot 100 chart, making Houston’s debut the first album by a woman to yield three No. 1 hits. Houston was No. 1 artist of the year and Whitney Houston was the No. 1 album of the year on the 1986 Billboard year-end charts, making her the first woman to earn that distinction. At the time, the album was the best-selling debut album by a solo artist. Houston then embarked on her world tour, Greatest Love Tour. The album had become an international success, was certified 13× platinum (diamond) in the United States alone and has sold 22 million copies worldwide.

At the 1986 Grammy Awards, Houston was nominated for three awards, including Album of the Year.  She was not eligible for the Best New Artist category because of her previous hit R&B duet recording with Teddy Pendergrass in 1984.^] She won her first Grammy Award for Best Pop Vocal Performance, Female for “Saving All My Love for You”.  Houston’s performance of the song during the Grammy telecast later earned her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program. 

Houston won seven American Music Awards in total in 1986 and 1987 and an MTV Video Music Award. The album’s popularity would also carry over to the 1987 Grammy Awards, when “Greatest Love of All” would receive a Record of the Year nomination. Houston’s debut album is listed as one of Rolling Stone‘s 500 Greatest Albums of All Time and on the Rock and Roll Hall of Fame‘s Definitive 200 list. Houston’s grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today.  Following Houston’s success, doors were opened for other African-American women such as Janet Jackson and Anita Baker.

1987–1991: Whitney, I’m Your Baby Tonight and “The Star-Spangled Banner”

Houston’s second album, Whitney, was released in June 1987. The album again featured production from Masser, Kashif and Walden as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. Rolling Stone said, “the narrow channel through which this talent has been directed is frustrating”. Still, the album enjoyed commercial success. Houston became the first woman in music history to debut at number one on the Billboard 200 albums chart and the first artist to enter the albums chart at number one in both the US and UK, while also hitting number one or top ten in dozens of other countries around the world. The album’s first single, “I Wanna Dance with Somebody (Who Loves Me)“, was also a massive hit worldwide, peaking at No. 1 on the Billboard Hot 100 chart and topping the singles chart in many countries such as Australia, Germany and the UK. Her next three singles, “Didn’t We Almost Have It All“, “So Emotional” and “Where Do Broken Hearts Go“, all peaked at number one on the US Hot 100 chart, giving Houston a record total of seven consecutive number one hits; the previous record of six consecutive number one hits had been shared by the Beatles and the Bee Gees. Houston became the first woman to generate four number-one singles from one album. Whitney has been certified Diamond in the US for shipments of over ten million copies  and has sold a total of 20 million copies worldwide.

At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year. She won her second Grammy for Best Female Pop Vocal Performance for “I Wanna Dance with Somebody (Who Loves Me)”  Houston also won two American Music Awards in 1988 and 1989, respectively and a Soul Train Music Award  Following the release of the album, Houston embarked on the Moment of Truth World Tour, which was one of the ten highest-grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest-earning entertainers list according to Forbes. She was the highest-earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, she refused to work with agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela’s 70th birthday. Over 72,000 people attended Wembley Stadium and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund.  In the same year, she recorded a song for NBC‘s coverage of the 1988 Summer Olympics, “One Moment in Time“, which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest-earning entertainers for 1987–88 according to Forbes.

In 1989, Houston formed The Whitney Houston Foundation For Children, a nonprofit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS and other issues of self-empowerment

With the success of her first two albums, Houston became an international crossover superstar, appealing to all demographics. However, some black critics believed she was “selling out“. They felt her singing on record lacked the soul that was present during her live concerts. At the 1989 Soul Train Music Awards, when Houston’s name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, “If you’re gonna have a long career, there’s a certain way to do it and I did it that way. I’m not ashamed of it.”

Houston took a more urban direction with her third studio album, I’m Your Baby Tonight, released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross and Stevie Wonder. The album showed Houston’s versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. Rolling Stone felt it was her “best and most integrated album”. while Entertainment Weekly, at the time thought Houston’s shift towards an urban direction was “superficial”.

I’m Your Baby Tonight contained several hits: the first two singles, “I’m Your Baby Tonight” and “All the Man That I Need” peaked at number one on the Billboard Hot 100 chart; “Miracle” peaked at number nine; “My Name Is Not Susan” peaked in the top twenty; “I Belong to You” reached the top ten of the US R&B chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet “We Didn’t Know“, reached the R&B top twenty. A bonus track from the album’s Japanese edition, “Higher Love“, was remixed by Norwegian DJ and record producer Kygo and released posthumously in 2019 to commercial success. It topped the US Dance Club Songs chart and peaked at number two in the UK, becoming Houston’s highest-charting single in the country since 1999. I’m Your Baby Tonight peaked at number three on the Billboard 200 and went on to be certified 4× platinum in the US while selling 10 million total worldwide.

During the Persian Gulf War, on January 27, 1991, Houston performed “The Star-Spangled Banner“, the US national anthem, at Super Bowl XXV at Tampa Stadium. Houston’s vocals were pre-recorded, prompting criticism. Dan Klores, a spokesman for Houston, said: “This is not a Milli Vanilli thing. She sang live, but the microphone was turned off. It was a technical decision, partially based on the noise factor. This is standard procedure at these events.” Nevertheless, a commercial single and video of the performance reached the Top 20 on the US Hot 100, giving Houston the biggest chart hit for a performance of the national anthem (José Feliciano‘s version reached No. 50 in November 1968). Houston donated her share of the proceeds to the American Red Cross Gulf Crisis Fund and was named to the Red Cross Board of Governors. Her rendition was critically acclaimed and is considered the benchmark for singers; VH1 listed the performance as one of the greatest moments that rocked TV.Following the September 11 2001 terrorist attacks, the single was rereleased, with all profits going towards the firefighters and victims of the attacks. It peaked at No. 6 in the Hot 100 and was certified platinum.

Later in 1991, Houston put together her Welcome Home Heroes concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. The show gave HBO its highest ratings ever.

1992–1994: Marriage, motherhood and The Bodyguard

Throughout the 1980s, Houston was romantically linked to musician Jermaine Jackson,American football star Randall Cunningham and actor Eddie Murphy.

She then met R&B singer Bobby Brown at the 1989 Soul Train Music Awards. After a three-year courtship, the two were married on July 18, 1992. Brown would go on to have several run-ins with the law for drunken driving, drug possession and battery, including some jail time.  On March 4, 1993, Houston gave birth to their daughter Bobbi Kristina Brown (March 4, 1993 – July 26, 2015), the couple’s only child. Houston revealed in a 1993 interview with Barbara Walters that she had a miscarriage during the filming of The Bodyguard.

With the massive commercial success of her music, film offers poured in, including offers to work with Robert De Niro, Quincy Jones and Spike Lee, but Houston never felt the time was right. Her first film role was in The Bodyguard, released in 1992. Houston played a star who is stalked by a crazed fan and hires a bodyguard (played by Kevin Costner) to protect her. Houston’s mainstream appeal allowed audiences to look past the interracial nature of her character’s relationship with Costner’s character.  However, controversy arose as some felt Houston’s face had been intentionally left out of the film’s advertising to hide the film’s interracial relationship. In a 1993 interview with Rolling Stone, Houston remarked that “people know who Whitney Houston is – I’m black. You can’t hide that fact.” Houston received a Razzie Award nomination for Worst Actress. The Washington Post remarked that Houston was “doing nothing more than playing [herself]”, but added that she came out “largely unscathed if that is possible in so cockamamie an undertaking”. The New York Times stated that she lacked chemistry with Costner. Despite the film’s mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it later fell out of the top 100 because of rising ticket prices since the time the film was released.

The film’s soundtrack also enjoyed success. Houston co-executive produced The Bodyguard: Original Soundtrack Album and recorded six songs for the album.  Rolling Stone described it as “nothing more than pleasant, tasteful and urbane”. The soundtrack’s lead single was “I Will Always Love You“, written and originally recorded by Dolly Parton in 1974. Houston’s version was highly acclaimed by critics, regarding it as her “signature song” or “iconic performance”. Rolling Stone and USA Today called her rendition a tour-de-force. The single peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks, number one on the R&B chart for a then-record-breaking 11 weeks and number one on the Adult Contemporary charts for five weeks. The single was certified 4× platinum by the RIAA, making Houston the first woman with a single to reach that level in the RIAA history and becoming the best-selling single by a woman in the U.S. The song also became a global success, topping the charts in almost all countries and the best-selling single of all time by a female solo artist with 20 million copies sold. Houston won the Grammy Award for Record of the Year in 1994 for “I Will Always Love You”.

The soundtrack topped the Billboard 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any Arista album on the chart in the Nielsen SoundScan era (tied for 10th overall by any label) and became one of the fastest selling albums ever.  During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles “I’m Every Woman“, a Chaka Khan cover and “I Have Nothing” both reaching the top five, Houston became the first woman to ever have three singles in the Top 11 simultaneously.The album was certified 18× platinum in the US alone,  with worldwide sales of 45 million copies.^] The album became the best-selling soundtrack album of all time.Houston won the 1994 Grammy Award for Album of the Year for the soundtrack. In addition, she won a record eight American Music Awards at that year’s ceremony including the Award of Merit, 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards including Entertainer of the Year, a record 5 World Music Awards,  and a BRIT award.

Following the success of The Bodyguard, Houston embarked on another expansive global tour (The Bodyguard World Tour) in 1993–94. Her concerts, movie and recording grosses made her the third highest-earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to Forbes.  Houston placed in the top five of Entertainment Weekly‘s annual “Entertainer of the Year” ranking  and was labeled by Premiere magazine as one of the 100 most powerful people in Hollywood 

In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela.  At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people; this made her the first major musician to visit the newly unified and apartheid free nation following Mandela’s winning election. Portions of Whitney: The Concert for a New South Africa were broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation’s “biggest media event since the inauguration of Nelson Mandela”

1995–1997: Waiting to Exhale, The Preacher’s Wife and Cinderella

In 1995, Houston starred alongside Angela Bassett, Loretta Devine and Lela Rochon in her second film, Waiting to Exhale, a motion picture about four African-American women struggling with relationships. Houston played the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as “a breakthrough for the image of black women because it presents them both as professionals and as caring mothers”.  After opening at number one and grossing $67 million in the US at the box office and $81 million worldwide,  it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as How Stella Got Her Groove Back and the Tyler Perry movies that became popular in the 2000s.  The film is also notable for its portrayal of black women as strong middle class citizens rather than as stereotypes. The reviews were mainly positive for the ensemble cast. The New York Times said: “Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in ‘The Bodyguard’ seem so distant.”^[163] Houston was nominated for an NAACP Image Award for “Outstanding Actress in a Motion Picture”, but lost to her co-star Bassett.

The film’s accompanying soundtrack, Waiting to Exhale: Original Soundtrack Album, was written and produced by Babyface. Though he originally wanted Houston to record the entire album, she declined. Instead, she “wanted it to be an album of women with vocal distinction” and thus gathered several African-American female artists for the soundtrack, to go along with the film’s message about strong women. Consequently, the album featured a range of contemporary R&B female recording artists along with Houston, such as Mary J. Blige, Brandy, Toni Braxton, Aretha Franklin and Patti LaBelle. Houston’s “Exhale (Shoop Shoop)” peaked at No. 1 and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B Charts. “Count On Me”, a duet with CeCe Winans, hit the U.S. Top 10; and Houston’s third contribution, “Why Does It Hurt So Bad“, made the Top 30. The album was certified 7× Platinum in the United States, denoting shipments of seven million copies.  The soundtrack received strong reviews; as Entertainment Weekly stated: “the album goes down easy, just as you’d expect from a package framed by Whitney Houston tracks … the soundtrack waits to exhale, hovering in sensuous suspense” and has since ranked it as one of the 100 Best Movie Soundtracks.  Later that year, Houston’s children’s charity organization was awarded a VH1 Honor for all the charitable work. 

In 1996, Houston starred in the holiday comedy The Preacher’s Wife, with Denzel Washington. She plays the gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film The Bishop’s Wife, which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest-earning African-American actress in Hollywood.  The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices.  The movie gave Houston her strongest reviews so far. The San Francisco Chronicle said Houston “is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time” and she “exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice”. Houston was again nominated for an NAACP Image Award and won for Outstanding Actress in a Motion Picture.

Houston recorded and co-produced, with Mervyn Warren, the film’s accompanying gospel soundtrack. The Preacher’s Wife: Original Soundtrack Album included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with “I Believe in You and Me” and “Step by Step“, becoming the largest selling gospel album of all time. The album received mainly positive reviews. She won Favorite Adult Contemporary Artist at the 1997 American Music Awards for The Preacher’s Wife soundtrack.

In December 1996, a spokesperson for Houston confirmed that she had suffered a miscarriage.

In 1997, Houston’s production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was “to show aspects of the lives of African-Americans that have not been brought to the screen before” while improving how African-Americans are portrayed in film and television.  Their first project was a made-for-television remake of Rodgers and Hammerstein‘s Cinderella. In addition to co-producing, Houston starred in the film as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years.  The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, the first African-American actress to be nominated for an Academy Award for Best Actress. Houston wanted the story told with dignity and honor.^[175] However, Halle Berry also had rights to the project and got her version going first. Later that year, Houston paid tribute to her idols, such as Aretha Franklin, Diana Ross and Dionne Warwick, by performing their hits during the three-night HBO Concert Classic Whitney: Live from Washington, D.C.. The special raised over $300,000 for the Children’s Defense Fund. Houston received the Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.

1998–2000: My Love Is Your Love and Whitney: The Greatest Hits

After spending much of the early and mid-1990s working on motion pictures and their soundtrack albums, Houston’s first studio album in eight years, the critically acclaimed My Love Is Your Love, was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album debuted at number thirteen, its peak position, on the Billboard 200 chart. It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, mid-tempo R&B, reggae, torch songs and ballads all with great dexterity.

From late 1998 to early 2000, the album spawned several hit singles: “When You Believe” (US No. 15, UK No. 4), a duet with Mariah Carey for 1998’s The Prince of Egypt soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; “Heartbreak Hotel” (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B Video,  and number one on the US R&B chart for seven weeks; “It’s Not Right but It’s Okay” (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B Vocal Performance; “My Love Is Your Love” (US No. 4, UK No. 2) with 3 million copies sold worldwide; and “I Learned from the Best” (US No. 27, UK No. 19). These singles became international hits as well and all the singles, except “When You Believe”, became number one hits on the Billboard Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum and a total of eleven million copies worldwide.

The album gave Houston some of her strongest reviews ever. Rolling Stone said Houston was singing “with a bite in her voice” and The Village Voice called it “Whitney’s sharpest and most satisfying so far”.  In 1999, Houston participated in VH-1’s Divas Live ’99, alongside Brandy, Mary J. Blige, Tina Turner and Cher. The same year, Houston hit the road with her 70 date My Love Is Your Love World Tour. While the European leg of the tour was Europe’s highest grossing arena tour of the year,  Houston canceled “a string of dates [during the] summer citing throat problems and a ‘bronchitis situation'”. In November 1999, Houston was named Top-selling R&B Female Artist of the Century with certified US sales of 51 million copies at the time and The Bodyguard Soundtrack was named the Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA).  She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards and an MTV Europe Music Award for Best R&B.

In May 2000, Whitney: The Greatest Hits was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries. While ballad songs were left unchanged, the album features house/club remixes of many of Houston’s up-tempo hits. Included on the album were four new songs: “Could I Have This Kiss Forever” (a duet with Enrique Iglesias), “Same Script, Different Cast” (a duet with Deborah Cox), “If I Told You That” (a duet with George Michael) and “Fine” and three hits that had never appeared on a Houston album: “One Moment in Time”, “The Star Spangled Banner” and “If You Say My Eyes Are Beautiful”, a duet with Jermaine Jackson from his 1986 Precious Moments album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston’s greatest hits, as well as several hard-to-find live performances including her 1983 debut on The Merv Griffin Show and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.

2000–2008: Just Whitney and personal struggles

Though Houston was seen as a “good girl” with a perfect image in the 1980s and early 1990s, her behavior had changed by 1999 and 2000. She was often hours late for interviews, photo shoots and rehearsals, she canceled concerts and talk-show appearances and there were reports of erratic behavior. Missed performances and weight loss led to rumors about Houston using drugs with her husband. On January 11, 2000, while traveling with Brown, airport security guards discovered half an ounce of marijuana in Houston’s handbag at Keahole-Kona International Airport in Hawaii, but she departed before authorities could arrive. Charges against her were later dropped, but rumors of drug usage by Houston and Brown would continue to surface. Two months later, Clive Davis was inducted into the Rock and Roll Hall of Fame; Houston had been scheduled to perform at the event, but was a no-show.

Shortly thereafter, Houston was scheduled to perform at the Academy Awards, but was fired from the event by musical director and longtime friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards, author Steve Pond revealed that “Houston’s voice was shaky, she seemed distracted and jittery and her attitude was casual, almost defiant” and that while Houston was supposed to perform “Over the Rainbow“, she would start singing a different song during rehearsals.Houston later admitted to having been fired. In May 2000, Houston’s longtime executive assistant and friend, Robyn Crawford, resigned from Houston’s management company; in 2019, Crawford asserted that she had left Houston’s employ after Houston declined to seek help for her drug dependency. The following month, Rolling Stone published a story stating that Cissy Houston and others had held a July 1999 intervention in which they unsuccessfully attempted to persuade Whitney to obtain drug treatment.^]

In August 2001, Houston signed one of the biggest record deals in music history, with Arista/BMG. She renewed her contract for $100 million to release six new albums, for which she would also earn royalties. She later made an appearance on Michael Jackson: 30th Anniversary Special, where her extremely thin frame further spurred rumors of drug use. Her publicist stated, “Whitney has been under stress due to family matters and when she is under stress she doesn’t eat.” (In a 2009 interview with Oprah Winfrey, Houston acknowledged that drug use had been the reason for her weight loss.)She was scheduled for a second performance the following night, but canceled it. Within weeks, Houston’s rendition of “The Star Spangled Banner” would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position.

In 2002, Houston became embroiled in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach of contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters  Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston’s father later died in February 2003. The lawsuit was dismissed on April 5, 2004 and Skinner was awarded nothing.

Also in 2002, Houston gave an interview with Diane Sawyer to promote her then-upcoming album. During the primetime special, she spoke about her drug use and marriage, among other topics. Addressing the ongoing drug rumors, she said, “First of all, let’s get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let’s get that straight. Okay? We don’t do crack. We don’t do that. Crack is wack.” The “crack is wack” line was drawn from a mural that Keith Haring painted in 1986 on the handball court at 128th Street and Second Avenue in Manhattan. Houston did, however, admit to using alcohol, marijuana, cocaine and pills; she also acknowledged that her mother had urged her to seek help regarding her drug use. She also denied having an eating disorder and that her very thin appearance was connected to drug use. She further stated that Bobby Brown had never hit her, but acknowledged that she had hit him.

In December 2002, Houston released her fifth studio album, Just Whitney. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, Just Whitney received mixed reviews. The album debuted at number 9 on the Billboard 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album did not fare well on the Billboard Hot 100, but became dance chart hits. Just Whitney was certified platinum in the United States and sold approximately two million worldwide.

In late 2003, Houston released her first Christmas album One Wish: The Holiday Album, with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled “One Wish (for Christmas)” reached the Top 20 on the Adult Contemporary chart and the album was certified gold in the US.

In December 2003, Brown was charged with battery following an altercation during which he threatened to beat Houston and then assaulted her. Police reported that Houston had visible injuries to her face.

Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long-time friend Clive Davis. After the show, Davis and Houston announced plans to go into the studio to work on her new album.

In early 2004, husband Bobby Brown starred in his own reality TV program, Being Bobby Brown, on Bravo. The show provided a view of the domestic goings-on in the Brown household. Though it was Brown’s vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in unflattering moments. Years later, The Guardian opined that through her participation in the show, Houston had lost “the last remnants of her dignity”.The Hollywood Reporter said that the show was “undoubtedly the most disgusting and execrable series ever to ooze its way onto television” Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston’s successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it and Brown and Bravo could not come to an agreement for another season.

After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006 and filed for divorce the following month. On February 1, 2007, Houston asked the court to fast-track the divorce. The divorce was finalized on April 24, 2007 and Houston was granted custody of Bobbi Kristina. On May 4, Houston sold the suburban Atlanta home featured in Being Bobby Brown for $1.19 million.  A few days later, Brown sued Houston in Orange County, California seeking child and spousal support from Houston on the basis that financial and emotional problems had prevented Brown from properly responding to the divorce petition. Brown lost at his court hearing, leaving Houston with full custody and Brown with no spousal support.

2009–2012: Return and I Look to You

Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey’s season premiere. The interview was billed as “the most anticipated music interview of the decade”. Whitney admitted on the show to having used drugs with former husband Bobby Brown during their marriage; Houston said Brown had “laced marijuana with rock cocaine”.  She told Oprah that before The Bodyguard her drug use was light, that she used drugs more heavily after the film’s success and the birth of her daughter and that by 1996 “[doing drugs] was an everyday thing … I wasn’t happy by that point in time. I was losing myself. Houston told Oprah that she had attended a 30-day rehabilitation program.  Houston also acknowledged to Oprah that her drug use had continued after rehabilitation and that at one point, her mother obtained a court order and the assistance of law enforcement to press her into receiving further drug treatment.  (In her 2013 book, Remembering Whitney: My Story of Love, Loss and the Night the Music Stopped, Cissy Houston described the scene she encountered at Whitney Houston’s house in 2005 as follows: “Somebody had spray-painted the walls and door with big glaring eyes and strange faces. Evil eyes, staring out like a threat … In another room, there was a big framed photo of [Whitney] — but someone had cut [her] head out. It was beyond disturbing, seeing my daughter’s face cut out like that.” This visit led Cissy to return with law enforcement and perform an intervention.) Houston also told Oprah that Bobby Brown had been emotionally abusive during their marriage and had even spat on her on one occasion.  When Winfrey asked Houston if she was drug-free, Houston responded, “‘Yes, ma’am. I mean, you know, don’t think I don’t have desires for it.'” 

Houston released her new album, I Look to You, in August 2009.  The album’s first two singles were the title track “I Look to You” and “Million Dollar Bill“. The album entered the Billboard 200 at No. 1, with Houston’s best opening week sales of 305,000 copies, marking Houston’s first number one album since The Bodyguard and Houston’s first studio album to reach number one since 1987’s Whitney. Houston also appeared on European television programs to promote the album. She performed the song “I Look to You” on the German television show Wetten, dass..?. Houston appeared as guest mentor on The X Factor in the United Kingdom. She performed “Million Dollar Bill” on the following day’s results show, completing the song even as a strap in the back of her dress popped open two seconds into the performance. She later commented that she “sang [herself] out of [her] clothes”. The performance was poorly received by the British media and was described as “weird” and “ungracious”.

Despite this reception, “Million Dollar Bill” jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade). Three weeks after its release, I Look to You went gold. Houston appeared on the Italian version of The X Factor, where she performed “Million Dollar Bill” to excellent reviews. In November, Houston performed “I Didn’t Know My Own Strength” at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed “Million Dollar Bill” and “I Wanna Dance with Somebody (Who Loves Me)” on the Dancing with the Stars season 9 finale.

Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought negative media attention. Houston canceled some concerts because of illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.

In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single “I Look to You”. On January 16, she received The BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. Houston also performed the song “I Look to You” on the 2011 BET Celebration of Gospel, with gospel–jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011.

In May 2011, Houston enrolled in a rehabilitation center again, citing drug and alcohol problems. A representative for Houston said that the outpatient treatment was a part of Houston’s “longstanding recovery process”. In September 2011, The Hollywood Reporter announced that Houston would produce and star alongside Jordin Sparks and Mike Epps in the remake of the 1976 film Sparkle. In the film, Houston portrays Sparks’s “not-so encouraging” mother. Houston is also credited as an executive producer of the film. Debra Martin Chase, producer of Sparkle, stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained Sparkle production rights. R&B singer Aaliyah – originally tapped to star as Sparkle – died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston’s remake of Sparkle was filmed in late 2011 over a two-month period and was released by TriStar Pictures. On May 21, 2012, “Celebrate”, the last song Houston recorded with Sparks, premiered at RyanSeacrest.com. It was made available for digital download on iTunes on June 5. The song was featured on the Sparkle: Music from the Motion Picture soundtrack as the first official single. The movie was released on August 17, 2012, in the United States.

Death and funeral

Houston reportedly appeared “disheveled” and “erratic” in the days immediately prior to her death. On February 9, 2012, Houston visited singers Brandy and Monica, together with Clive Davis, at their rehearsals for Davis’s pre-Grammy Awards party at The Beverly Hilton in Beverly Hills. That same day, she made her last public performance when she joined Kelly Price on stage in Hollywood, California and sang “Jesus Loves Me“.

Two days later, on February 11, Houston was found unconscious in Suite 434 at the Beverly Hilton Hotel, submerged in the bathtub. Beverly Hills paramedics arrived at approximately 3:30 p.m., found Houston unresponsive and performed CPR. Houston was pronounced dead at 3:55 p.m. PST. The cause of death was not immediately known; local police said there were “no obvious signs of criminal intent”. On March 22, 2012, the Los Angeles County Coroner‘s Office reported that Houston’s death was caused by drowning and the “effects of atherosclerotic heart disease and cocaine use”. The office stated the amount of cocaine found in Houston’s body indicated that she used the substance shortly before her death. Toxicology results revealed additional drugs in her system: diphenhydramine (Benadryl), alprazolam (Xanax), cannabis and cyclobenzaprine (Flexeril). The manner of death was listed as an “accident”. 

An invitation-only memorial service was held for Houston on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted four.  Among those who performed at the funeral were Stevie Wonder (rewritten version of “Ribbon in the Sky” and “Love’s in Need of Love Today“), CeCe Winans (“Don’t Cry” and “Jesus Loves Me“), Alicia Keys (“Send Me an Angel“), Kim Burrell (rewritten version of “A Change Is Gonna Come“) and R. Kelly (“I Look to You”). The performances were interspersed with hymns by the church choir and remarks by Clive Davis, Houston’s record producer; Kevin Costner; Rickey Minor, her music director; her cousin, Dionne Warwick; and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service.  Bobby Brown was also invited to the funeral, but departed shortly after the service began. Houston was buried on February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey, next to her father, John Russell Houston, who died in 2003. In June 2012, the McDonald’s Gospelfest in Newark became a tribute to Houston.

Reaction

Pre-Grammy party

The February 11, 2012, Clive Davis pre-Grammy party that Houston was expected to attend, which featured many of the biggest names in music and film, went on as scheduled – although it was quickly turned into a tribute to Houston. Davis spoke about Houston’s death at the evening’s start:

By now you have all learned of the unspeakably tragic news of our beloved Whitney’s passing. I don’t have to mask my emotion in front of a room full of so many dear friends. I am personally devastated by the loss of someone who has meant so much to me for so many years. Whitney was so full of life. She was so looking forward to tonight even though she wasn’t scheduled to perform. Whitney was a beautiful person and a talent beyond compare. She graced this stage with her regal presence and gave so many memorable performances here over the years. Simply put, Whitney would have wanted the music to go on and her family asked that we carry on.

Tony Bennett spoke of Houston’s death before performing at Davis’s party. He said, “First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston.” Bennett sang “How Do You Keep the Music Playing?” and said of Houston: “When I first heard her, I called Clive Davis and said, ‘You finally found the greatest singer I’ve ever heard in my life.'”

Some celebrities opposed Davis’s decision to continue with the party while a police investigation was being conducted in Houston’s hotel room and her body was still in the building. Chaka Khan, in an interview with CNN‘s Piers Morgan on February 13, 2012, shared that she felt the party should have been canceled, saying: “I thought that was complete insanity. And knowing Whitney I don’t believe that she would have said ‘the show must go on.’ She’s the kind of woman that would’ve said ‘Stop everything! Un-unh. I’m not going to be there.'” Sharon Osbourne condemned the Davis party, declaring: “I think it was disgraceful that the party went on. I don’t want to be in a hotel room when there’s someone you admire who’s tragically lost their life four floors up. I’m not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong.”

Further reaction and tributes

Many other celebrities released statements responding to Houston’s death. Darlene Love, Houston’s godmother, hearing the news of her death, said, “It felt like I had been struck by a lightning bolt in my gut. Dolly Parton, whose song “I Will Always Love You” was covered by Houston, said, “I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, ‘Whitney, I will always love you. You will be missed.'” Aretha Franklin said, “It’s so stunning and unbelievable. I couldn’t believe what I was reading coming across the TV screen. Others paying tribute included Mariah Carey, Quincy Jones and Oprah Winfrey.

Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston’s death. All three featured live interviews with people who had known Houston including those that had worked with her along with some of her peers in the music industry. Saturday Night Live displayed a photo of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston’s classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.

The first full hour after the news of Houston’s death broke saw 2,481,652 tweets and retweets on Twitter alone, equating to a rate of more than a thousand tweets every second.

Houston’s former husband, Bobby Brown, was reported to be “in and out of crying fits” after receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife’s sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: “I love you, Whitney.”

Ken Ehrlich, executive producer of the 54th Grammy Awards, announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012 ceremony. He said, “event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston.” Ehrlich went on to say: “It’s too fresh in everyone’s memory to do more at this time, but we would be remiss if we didn’t recognize Whitney’s remarkable contribution to music fans in general and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years.” At the start of the awards ceremony, footage of Houston performing “I Will Always Love You” from the 1994 Grammys was shown following a prayer read by host LL Cool J. Later in the program, following a montage of photos of musicians who died in 2011 with Houston singing “Saving All My Love for You” at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing “I Will Always Love You”. The tribute was partially credited for the Grammys telecast getting its second highest ratings in history.

Houston was honored with various tributes at the 43rd NAACP Image Awards, held on February 17. An image montage of Houston and important black figures who died in 2011 was followed by video footage from the 1994 ceremony, which depicted her accepting two Image Awards for outstanding female artist and entertainer of the year. Following the video tribute, Yolanda Adams delivered a rendition of “I Love the Lord” from The Preacher’s Wife Soundtrack. In the finale of the ceremony, Kirk Franklin and the Family started their performance with “The Greatest Love of All“. The 2012 Brit Awards, which took place at the O2 Arena in London on February 21, also paid tribute to Houston by playing a 30-second video montage of her music videos with a snippet of “One Moment in Time” as the background music in the ceremony’s first segment New Jersey Governor Chris Christie said that all New Jersey state flags would be flown at half-staff on Tuesday, February 21, to honor Houston. Houston was also featured, alongside other recently deceased figures from the film industry, in the In Memoriam montage at the 84th Academy Awards on February 26, 2012.

Houston topped the list of Google searches in 2012, both globally and in the United States, according to Google’s Annual Zeitgeist most-popular searches list.

On May 17, 2017, Bebe Rexha released a single titled “The Way I Are (Dance with Somebody)” from her two part album All Your Fault. The song mentions Houston’s name in the opening lyrics, “I’m sorry, I’m not the most pretty, I’ll never ever sing like Whitney”, before going on to sample some of Houston’s lyrics from “I Wanna Dance with Somebody (Who Loves Me)” in the chorus. The song was in part made as a tribute to Whitney Houston’s life.

Posthumous sales

According to representatives from Houston record label, Houston sold 3.7 million albums and 4.3 million singles worldwide in the first ten months of the year she died. With just 24 hours passing between news of Houston’s death and Nielsen SoundScan tabulating the weekly album charts, Whitney: The Greatest Hits climbed into the Top 10 with 64,000 copies sold; it was a 10,419 percent gain compared to the previous week. 43 of the top 100 most-downloaded tracks on iTunes were Houston songs, including “I Will Always Love You” from The Bodyguard at number one. Two other Houston classics, “I Wanna Dance With Somebody (Who Loves Me)” and “Greatest Love of All,” were in the top 10. As fans of Houston rushed to rediscover the singer’s music, single digital track sales of the artist’s music rose to more than 887,000 paid song downloads in 24 hours in the US alone.

The single “I Will Always Love You” returned to the Billboard Hot 100 after almost twenty years, peaking at number three and becoming a posthumous top-ten single for Houston, the first one since 2001. Two other Houston songs also jump back on the Hot 100: “I Wanna Dance With Somebody (Who Loves Me)” at 25 and “Greatest Love of All” at 36. Her death on February 11 ignited an incredible drive to her YouTube and Vevo pages. She went from 868,000 views in the week prior to her death to 40,200,000 views in the week following her death, a 45-fold increase.

On February 29, 2012, Houston became the first and only female act to ever place three albums in the Top Ten of the US Billboard 200 Album Chart all at the same time, with Whitney: the Greatest Hits at number 2, The Bodyguard at number 6 and Whitney Houston at number 9.On March 7, 2012, Houston claimed two more additional feats on the US Billboard charts: she became the first and only female act to place nine albums within the top 100 (with Whitney: The Greatest Hits at number 2, The Bodyguard at number 5, Whitney Houston at number 10, I Look to You at number 13, Triple Feature at number 21, My Love Is Your Love at number 31, I’m Your Baby Tonight at number 32, Just Whitney at number 50 and The Preacher’s Wife at number 80); in addition, other Houston albums were also on the US Billboard Top 200 Album Chart at this time. Houston also became the second female act, after Adele, to place two albums in the top five of the US Billboard Top 200, with Whitney: The Greatest Hits at number 2 and The Bodyguard at number 5.

Posthumous releases

Houston’s first posthumous greatest hits album, I Will Always Love You: The Best of Whitney Houston, was released on November 13, 2012, by RCA Records. It features the remastered versions of her number-one hits, an unreleased song titled “Never Give Up” and a duet version of “I Look to You” with R. Kelly. The album won two NAACP Image Awards for ‘Outstanding Album‘ and ‘Outstanding Song‘ (“I Look to You”). It was certified Gold by the RIAA in 2020.

Houston’s posthumous live album, Her Greatest Performances (2014), was a US R&B number-one and received positive reviews by music critics. In 2017, the 25th anniversary reissue of The Bodyguard (soundtrack)—I Wish You Love: More from The Bodyguard—was released by Legacy Recordings. It includes film versions, remixes and live performances of Houston’s Bodyguard songs.

In 2019, Houston and Kygo‘s version of “Higher Love” was released as a single. The record became a worldwide hit. It peaked at number two in the UK Singles Chart  and reached the top ten in several countries. “Higher Love” was nominated at the 2020 Billboard Music Awards for “Top Dance/Electronic Song of the Year”, the 2020 iHeartRadio Music Awards for “Dance Song of the Year” and “Best Remix”. It was certified multi-platinum in Australia, Canada, Poland  and the United Kingdom.  The song was also a platinum hit in the United States, Denmark, Switzerland, and Belgium.

Artistry

Houston possessed a mezzo-soprano vocal range,  and was referred to as “The Voice” in reference to her vocal talent. Jon Pareles of The New York Times stated Houston “always had a great big voice, a technical marvel from its velvety depths to its ballistic middle register to its ringing and airy heights”. In 2008, Rolling Stone ranked Houston among the list “100 Greatest Singers of All Time”, stating, “Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston’s powerhouse version of ‘I Will Always Love You’ is a tour de force.” Matthew Perpetua of Rolling Stone also acknowledged Houston’s vocal prowess, enumerating ten performances, including “How Will I Know” at the 1986 MTV VMAs and “The Star Spangled Banner” at the 1991 Super Bowl. “Whitney Houston was blessed with an astonishing vocal range and extraordinary technical skill, but what truly made her a great singer was her ability to connect with a song and drive home its drama and emotion with incredible precision”, he stated. “She was a brilliant performer and her live shows often eclipsed her studio recordings.”According to Newsweek, Houston had a four-octave range.

Elysa Gardner of the Los Angeles Times in her review for The Preacher’s Wife Soundtrack highly praised Houston’s vocal ability, commenting, “She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone and her ability to infuse a lyric with mesmerizing melodrama.”

Singer Faith Evans stated: “Whitney wasn’t just a singer with a beautiful voice. She was a true musician. Her voice was an instrument and she knew how to use it. With the same complexity as someone who has mastered the violin or the piano, Whitney mastered the use of her voice. From every run to every crescendo—she was in tune with what she could do with her voice and it’s not something simple for a singer—even a very talented one—to achieve. Whitney is ‘The Voice’ because she worked for it. This is someone who was singing backup for her mom when she was 14 years old at nightclubs across the country. This is someone who sang backup for Chaka Khan when she was only 17. She had years and years of honing her craft on stage and in the studio before she ever got signed to a record label. Coming from a family of singers and surrounded by music; she pretty much had a formal education in music, just like someone who might attend a performing arts high school or major in voice in college.

Jon Caramanica of The New York Times commented, “Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [ … ] Hers was a voice of triumph and achievement and it made for any number of stunning, time-stopping vocal performances.” Mariah Carey stated, “She [Whitney] has a really rich, strong mid-belt that very few people have. She sounds really good, really strong.” While in her review of I Look to You, music critic Ann Powers of the Los Angeles Times writes, “[Houston’s voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators”, adding “When she was at her best, nothing could match her huge, clean, cool mezzo-soprano.”

Lauren Everitt from BBC News Magazine commented on melisma used in Houston’s recording and its influence. “An early ‘I’ in Whitney Houston’s ‘I Will Always Love You’ takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable”, stated Everitt. “The technique is repeated throughout the song, most pronouncedly on every ‘I’ and ‘you’. The vocal technique is called melisma and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton’s love song that pushed the technique into the mainstream in the 90s. [ … ] But perhaps what Houston nailed best was moderation.” Everitt said that “[i]n a climate of reality shows ripe with ‘oversinging,’ it’s easy to appreciate Houston’s ability to save melisma for just the right moment.”

Houston’s vocal stylings have had a significant impact on the music industry. According to Linda Lister in Divafication: The Deification of Modern Female Pop Stars, she has been called the “Queen of Pop” for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from The New York Times, in his review of Houston’s Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer, writing, “Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer’s bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing.” With regard to her singing style, he added: “Her [Houston’s] stylistic trademarks – shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration – infuse her interpretations with flashes of musical and emotional lightning.”

Houston struggled with vocal problems in her later years. Gary Catona, a voice coach who began working with Houston in 2005, stated: “‘When I first started working with her in 2005, she had lost 99.9 percent of her voice … She could barely speak, let alone sing. Her lifestyle choices had made her almost completely hoarse.'” After Houston’s death, Catona asserted that Houston’s voice reached “‘about 75 to 80 percent'” of its former capacity after he had worked with her. However, during the world tour that followed the release of I Look to You, “YouTube videos surfaced, showing [Houston’s] voice cracking, seemingly unable to hold the notes she was known for”.

Regarding the musical style, Houston’s vocal performances incorporated a wide variety of genres, including R&B, pop, rock, soul, gospel, funk, dance, latin pop, disco, house, hip hop soul, new jack swing,^] opera, and Christmas. The lyrical themes in her recordings are mainly about love, social, religious and feminism.The Rock and Roll Hall of Fame stated: “Her sound expanded through collaborations with a wide array of artists, including Stevie Wonder, Luther Vandross, Babyface, Missy Elliott, Bobby Brown, and Mariah Carey.” While AllMusic commented that, “Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop and slick urban contemporary soul with equal dexterity”.

Legacy

Houston has been regarded as one of the greatest vocalists of all time and a cultural icon. She is also recognized as one of the most influential R&B artists in history.  Black female artists, such as Janet Jackson and Anita Baker, were successful in popular music partly because Houston paved the way. Baker commented that “Because of what Whitney and Sade did, there was an opening for me … For radio stations, black women singers aren’t taboo anymore.”

AllMusic noted her contribution to the success of black artists on the pop scene. The New York Times stated that “Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions”. Richard Corliss of Time magazine commented on her initial success breaking various barriers:

Of her first album’s ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [ … ] She was a phenomenon waiting to happen, a canny tapping of the listener’s yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace.

Stephen Holden of The New York Times said that Houston “revitalized the tradition of strong gospel-oriented pop-soul singing”. Ann Powers of the Los Angeles Times referred to Houston as a “national treasure” Jon Caramanica, another music critic of The New York Times, called Houston “R&B’s great modernizer”, adding “slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream”. He also drew comparisons between Houston’s influence and other big names on 1980s pop:

She was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built worldviews around their voices; Ms. Houston’s voice was the worldview. She was someone more to be admired, like a museum piece, than to be emulated.^[3]

The Independent‘s music critic Andy Gill also wrote about Houston’s influence on modern R&B and singing competitions, comparing it to Michael Jackson’s. “Because Whitney, more than any other single artist – Michael Jackson included – effectively mapped out the course of modern R&B, setting the bar for standards of soul vocalese and creating the original template for what we now routinely refer to as the ‘soul diva’ “, stated Gill. “Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang and the ripples from her voice continue to dominate the pop landscape.” Gill said that there “are few, if any, Jackson imitators on today’s TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning”.

Houston was considered by many to be a “singer’s singer”, who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston’s prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake and spawned a legion of imitators. Rolling Stone, on her biography, stated that Houston “redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna“. Essence ranked Houston at number five on their list of 50 Most Influential R&B Stars of all time, calling her “the diva to end all divas”.

Awards and achievements

Houston won numerous accolades, including 2 Emmy Awards, 8 Grammy Awards, 14 World Music Awards, 16 Billboard Music Awards and 22 American Music Awards. Houston holds the record for the most American Music Awards received in a single year by a woman with eight wins in 1994 (overall tied with Michael Jackson). Houston won a record 11 Billboard Music Awards at its fourth ceremony in 1993. She also had the record for the most WMAs won in a single year, winning five awards at the 6th World Music Awards in 1994.^[385] In 2001, Houston was the first artist to be given a BET Lifetime Achievement Award.

In May 2003, Houston placed at number three on VH1‘s list of “50 Greatest Women of the Video Era”. In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart’s 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the “Top 100 Greatest Artists of All Time” by VH1 in September 2010. In November 2010, Billboard released its “Top 50 R&B/Hip-Hop Artists of the Past 25 Years” list and ranked Houston at number three who not only went on to earn eight number-one singles on the R&B/Hip-Hop Songs chart, but also landed five number ones on R&B/Hip-Hop Albums. Houston’s debut album is listed as one of the 500 Greatest Albums of All Time by Rolling Stone magazine and is on Rock and Roll Hall of Fame‘s Definitive 200 list. In 2004, Billboard picked the success of her first release on the charts as one of 110 Musical Milestones in its history Houston’s entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today in 2007. It stated that she paved the way for Mariah Carey’s chart-topping vocal gymnastics. In 2015, she was placed at number nine (second as a female) by Billboard on the list “35 Greatest R&B Artists Of All Time”.

Houston is one of the best-selling recording artists of all time, with more than 200 million records sold worldwide. She is the top-selling female R&B artist of the 20th century.Houston had also sold more physical singles than any other female solo artist in history. As of 2020, she was ranked as one of the best-selling artists in the United States by the Recording Industry Association of America with 60 million certified albums sold. Houston released seven studio albums and two soundtrack albums, all of which have been certified diamond, multi-platinum, platinum, or gold. She is the first and only black artist to have three Diamond-certified albums. Houston’s first two albums, as well as her 1992 release The Bodyguard’s soundtrack, are among the best-selling albums of all time. The Bodyguard (soundtrack) remains the best-selling soundtrack album of all time, with global sales of over 45 million copies. Houston’s “I Will Always Love You” became the best-selling physical single by a female in music history, with sales of over 20 million copies worldwide. Her 1996 soundtrack for The Preacher’s Wife is the best-selling gospel album of all time.

In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. She held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.Houston was inducted into the New Jersey Hall of Fame in 2013. In August 2014, she was inducted into the official Rhythm and Blues Music Hall of Fame in its second class. In October 2019, Houston was announced as a 2020 Rock and Roll Hall of Fame nominee, one of nine first-time nominees and 16 total. On January 15, 2020, she was announced as an inductee into the Hall’s 2020 class, along with five other acts.In March 2020, the Library of Congress announced that Houston’s 1992 single “I Will Always Love You” had been added to its National Recording Registry, a list of “aural treasures worthy of preservation” due to their “cultural, historical and aesthetic importance” in the American soundscape.  In October 2020, the music video for “I Will Always Love You” surpassed 1 billion views on YouTube, making Houston the first solo 20th-century artist to have a video reach that milestone. https://en.wikipedia.org/wiki/Whitney_Houston